Now That You Know What You Are

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To ponder:

Let's say you have a large pile of clean laundry. And in this pile are x pairs of clean socks (assume that each pair of socks is distinct; i.e. each sock has one and only one matching sock).

I haven't worked out all the math, but it seems to me that you'd have to pull out slightly more than x/2 socks before the odds were in your favor for picking out a matching sock (the equation is y=n/(2x-n), where y is the odds of pulling out a matching sock on the next try, n is the number of single socks already pulled out of the pile, and x is the number of pairs of socks).

Why is it, then, that to get a matching pair of socks, one must pull out every single odd sock before finally getting a match?

One, Two, Three...

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Sasha Castel has reorganized her links by Cole Porter song title. I've been filed under "From This Moment On".

I'm getting a head start on next month's contest:

If you're a devoted reader of the F.A.Q. (and if you're not, you should be), you know that many Chinese proverbs are rather obscure. In fact, they're often so obscure that the only way to understand them is to know a convoluted story involving a folk hero, a minor emperor, and a constipated horse.

I say, who's got time to comb through tens of thousands of Chinese folk tales?

Make Your Own Explanation For A Real Chinese Proverb!

The rules are simple: Take the real Chinese proverb "The old man at the frontier lost his horse", create your own meaning for it, write up the backstory, and send it to me before the end of the day on August 9, 2002. Best explanation wins a fabulous prize!

Jungle Man Corner

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Throne Of BloodWent and saw Throne of Blood on Saturday night. It's an adaption of Macbeth, reset from Scotland to Japan. It was playing as part of the Film Forum's Kurosawa/Mifune film festival.

It'd been a long time since I'd seen it, and I'd never seen the film in a theater. It really is an astonishing film -- Mifune's grimacing from scene to scene; the incredibly long takes that Kurosawa uses; the visual rigor and careful framing that gives the film such an amazing look.

One of the things that Kurosawa does is he doesn't over-edit the film; he uses very long takes, giving his actors time and space to work with. The heart of the ghost scene is done in one shot; Kurosawa moves his camera around the set, showing -- and then not showing -- the ghost without special effects, and letting Mifune register his character's increasing desperation and growing insanity without resorting to cinematic tricks.

The acting, too, is amazing. Kurosawa has his actors work in a very un-naturalistic manner; they owe more to kabuki and noh than they do to Stella Adler or Lee Strasberg (Kurosawa did the same thing in his other great Shakespeare adaption, Ran). Yet the (obviously) highly stylized acting really works, in that it draws you deeper and deeper into the action and the characters. I'm not a student of acting, and I can't tell you why it works; I can just say that it does work.

The Film Forum showed a new print of the film; it looked really good. It's hard to capture the snap and the pop of a really-well shot black & white film on video. The contrast ranges aren't really the same, and subtle shadings tend to get block up and get muddy. They also used a new translation; since I don't speak Japanese, I can't attest to how good it is, but it seems to be capture the film well enough.

As a side note, the Japanese title of the film doesn't translate as "Throne of Blood". It's "Spider Web Castle", which is the name of the castle in the film. "Throne of Blood" is a better title; however, I doubt that it would have been all that politically correct for Kurosawa to name his film that in post-war Japan.

Anyway, if you're at all interested in film, cinema, asian film (you know who you are), or if you just like good movies, you really owe it to yourself to go on down the Film Forum and catch the rest of the series (if you don't live in New York, you can at least rent many of the films in the series on VHS or DVD).

Throne of Blood has its last showings today, so if you want to see it (you really should) you've got one more chance to catch it.

Is This A Dream Or Something For Real?

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I'm actually writing this on the 27th, but since the 27th has only about 5 minutes left (EDT), I'm marking it as the 28th. That, and the fact that it will be the 28th when it gets posts. That, and the fact that making this tomorrow's entry will lessen my guilt about not writing an entry tomorrow. Got that?

You Have To Climb Some Fences

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Ladies, Gentlemen, and the rest of you usual suspects, I present the lovely Ravenwolf:

Ravenwolf wearing a this is not my beautiful beer t-shirt

She's seen here (click on the image for a larger version of the pic) modelling the practical and attractive "This Is Not My Beautiful Beer!" T-shirt. If you'd like your own shirt, you can try to win one of the contests that periodically show up on this site, or, if you're the impatient type, you could just visit the the Paul Frankenstein Light Industry & Manufacturing Emporium and order one for yourself!

Like The Way I Do

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I was cleaning up in the kitchen tonight and I passed the calendar on the wall. It was still on the month of May.

Does this mean that June never happened? And that most of July followed it?

Or does it just say something about how I live my life?

I changed it to July.

Let This Be A Sermon

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This is fucking insane. Seriously not safe for work. Via Dawn Olsen.

Or I Won't Know Where I Am

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Ladies, Gentlemen, and all the rest of you riff-raff: I present the fabulous Mr. Mike Whybark!

Mike Whybark, looking rather dashing

Doesn't he look dashing in that snazzy T-shirt? Well, you too can look just as snazzy when you shop at the Paul Frankenstein Light Industry & Manufacturing Emporium!

So don't delay! Order yours today!

I Can Dream For Miles

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A brief roundup of the bits of the blogosphere I haunt, in no particular order:

Damn, that's a long list.

Hope I didn't forget anyone.

Archives

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